Psalm 84

Thither be many themes that trace end-to-end the dis delectationd Testament. These themes good deal be followed and at that placeby occasiond to dish the reader in understanding the subtleties of the school text. They can make out the forms of either language repetitions, event traits, or settings and topics. Two motifs that atomic number 18 excellent tracers of the deeper meaning of this text ar those of body of piss and the wild. Both of these symbols are used at major junctions in the plot of the story, and both seem to be connected to lifecycle events on the larger scale. Water seems to be in an elaborate expressive style connected with the c formerlypt of renewal and creation. It seems to emphasize a coarse shifting in the record of existence, be it of a ingroup of wad or the whole of humanity. Wilderness is similar in that it seems to come up also at clippings when a gravid assortment is to arrive. The conflict is that while the change a ssociated with water supply carcass is of import in the workings of the people themselves, the changes associated with the wild perpetually seem to be a change in the reputation of the race between people and perfection. The starting time encounter with water is the very creation of the demesne itself. At the beginning of clipping it seems that all that exists asunder from deity and nothingness is a cap deep, a colossal body of water which seems vaguely undefined. We are then told that perfection divides the water below from the water preceding(prenominal) and puts the firmament, or sky, between them. Thus matinee idol has created heaven and earth, though the earth lacks land as of yet. God then pass on divides the water below and puts land in between, and it is once this is piece that God produces life, animals, plants and humans. So here is the very first interpreter of water playing a prime role in the change of condition of humanity, the very creat ion of humanity in this gaffe. And the mot! if is soon god with the story of Noah. When God becomes affront with the ways of man, how he has become corrupt and such, it is water that God prepares to use to wipe out all of humanity digression from the righteous Noah and his family. God is said to open the windows to the waters of heaven, allowing them to lodge in up the earth and destroy all that he had created. And so once again there is an excellent sheath of Gods use of water to change the condition of humanity. He is unhappy with their activities, and so he destroys them and leaves except the most righteous of men in the dandy spirit of natural selection. Examples of this motif then continue throughout the Bible. There are countless significant events that occur at rise up. Rebekkah is found at a wellhead, Moses finds his wife, Zipporah, at a well, and Abraham makes a pact with a king on behalf of the plentiful wells that he digs. In addition to wells, there is yet other decent example of waters influence on humanity, or a group of people, in the story of Exodus. As the Hebrews stand on the brink of destiny, trapped between the tone-beginning of the great Egyptian army and the impass of the Red Sea, God move the waters, not solitary(prenominal) allowing the Hebrews to pass through safely to extend the Egyptians, precisely also destroying perhaps one of the most knock-down(a) armies in the introduction in one fell swoop. Thus the lives of dickens great groups of people are changed drastically through Gods use of water. The Hebrews escape bondage, and the great Egyptians lose their powerful army as well as a great deal of their wealthiness which the Hebrews had taken. And so it can be clearly seen how water is a motif, a powerful one that is often used in juncture with a great change in the lives of a people. A motif similarly associated with great change is that of the wilderness. However, the difference is that this motif is generally used in conjunction with a great c hange in the relationship between God and a people, u! sually the Hebrews. When Cain slays Abel, he is direct to be a scouter in the wilderness. He has angered God and so is sent away.

Also, and one of the more prominent wilderness representations, is when Moses first encounters God in the form of a burning supply. The reader is told that Moses spueed beyond the wilderness in tending his flocks, and it was there that he encountered the bush that burned but was not consumed. Moses goes through a life-altering association here when he is beyond the wilderness. It is almost to place that Moses encounter is so powerful with God that not simply does he go to the wilderness, but he goes beyond it. This wilderness example is closely followed by perhaps the best know wilderness portrayal of all, the wandering of the Hebrews in the wilderness for 40 age. It is here in the wilderness that they receive the Torah and are profoundly wed to God. They become the people of God at twit Sinai, and something this monumental in the relationship between God and his people could only take place in the wilderness. They then get going to wander for xl years, lento learning the laws presented in the Torah, and slowly beseeming more and more aware that God is indeed with them until, forty years past, they are ready to take their place as Gods people in the land promised to Abraham. Thus, the wilderness plays a powerful role in the organic evolution and change in the relationship of God to his people. And so both of these motifs, water and wilderness, are motifs of reading and change. Water is a change in the fundamental development of man hi mself, as in the great flood tide or the creation. ! While the wilderness involves a change in the fundamental relationship between God and the people, as in Moses case as well as the forty years of resign wandering. A reader of the Bible can because be aware of these motifs as he reads and use them as a guide for noting when such a fundamental change is taking place. If you want to get a full essay, regularize it on our website: OrderCustomPaper.com

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