How power and gender is communicated in "1984" by George Orwell and "The Winslow Boy" by Terrance Rattigan

?1984? by George Orwell and ?The Winslow son? by Terence Rattigan both look the issues of motive and gender in their textbooks. Power and gender is re testifyed and depicted to the audience in certain ways. In ?1984?, George Orwell communicates these aspects through Winston and Julia, and the leash parties respect in force(p)y. He as well as uses derision to give the indorser a erupt catch of who has the super queen in the situations. In ?The Winslow son?, Terence Rattigan explores the bases through the tap case, and besides through Catherine. Power is a master(prenominal) theme in the book ?1984?. The book explores the make out and the yell of power throughout the storyline. In the novel, at that place be cardinal world body systems in the confederation, these cosmos the Inner Party, deep Party and the Proles. As a totalitarianism system is in place, individually political party is disposed(p) certain rules and responsibilities. by dint of these rules and responsibilities, we ar able to determine the level of power each party has. The Inner party has few rules and responsibilities. As a result, we argon able to conclude that they fork ein truthwhere a peachy measure of power, and they start a luxurious t wizard. An modelling from the text is on rogue 175 which states:?The whole cash machine of the huge obstruct of flats, the richness and spaciousness of e trulything, the unacquainted with(predicate) smells of darling food and good tobacco, the silent and incredibly fast lifts sliding up and down, the white-jacketed servants go to and fro ? fore realthing was intimidating. The Outer Party just do non lead much(prenominal) a fantastic spirit; however their life is full of rules and responsibilities to their communities. Members of the Outer Party ar constantly forced to take part in events such as the ? dickens minute hate? and they ar abut by rules which impinge on their day to day activities. They argon constantly monitored by telescreens an! d decease in fear of ? dehydration?. Also, The Outer Party members are continually famined as they are handed out rations, earlier than money. They are cramped unitedly in apartment buildings with gauzy rooms. The place where Winston stays at is called Victory Mansions. ?The hallway smelt of boiled cabbage and obsolescent rag mats. At one end of it a moody poster, too large for indoor(a) disp puzzle had been tacked to the wall.? ?Winston made for the stairs. It was non use nerve-wracking the lift. sluice at the exceed of beats it was seldom working, and at present the electric current was cut off during day hours.? ? rogue 3. In comparison to the quote on rapscallion 175, it is lenient to determine who has much power and a better normal of living. Although Victory Mansions suggests elegancy and luxury, the truth is most the complete opposite. This proficiency is chaff and has been used purposefully in the situation to arrest the deliver of power in society. The proles are alike a class in the political state of big brother. The proles, although lack wealth, assimilate no rules or responsibilities from the party. The proles take up almost 85% of the population, and most of them are without a telescreen, which means they are non under constant surveillance from the party. As they lay international of the parties restrictions, they have the power to overthrow the party if they wished; however, there is no need for them to rebel as they are already outside of the parties? laws. ?If there is hope, wrote Winston, it lies in the proles.? - foliate 72. This quote excessively uses irony to convey power as:?Until they [proles] become advised they lead not rebel, and until after they rebel they cannot become conscious.? ? Page 73. George Orwell also portrays gender in the form of Winston and Julia, the two main characters. A male is typically the bullneckeder, domineering and viewling in a relationship. As for females, they are thought to be the more submissive, and cowardly. George Orwell ! has compete with these pigeonholes, and therefore has switched the roles with Winston and Julia, giving Winston the female characteristics, and Julia the male characteristics. By doing this, the reader therefore things twice about the situation and how the society has become. When reversing the roles, the designer can create confusion, and therefore uses satire to get a line us about the different roles that women and men can take, and say us that there is no limit to how we should act depending on our sex. ?The Winslow Boy? also explores the issues of power throughout the text. The main taper of the text is the accost case in which there is a shinny for power and justice. Terence Rattigan uses this storyline to communicate his opinions to the audience. In the court case, the trial for power is between the government and the Winslow family.

The Winslow family rely on human rights and honesty to obtain the power from the government, who is in control of the boy?s future. The court case is the family?s sole(prenominal) venture regaining honour for their son. This therefore demonstrates the importance of power in the society and its effects on the community. Without the rights that are given to citizens, the charge Winslow family member would have been mistreated and wronged. From the quote on page 95, we can determine that the court case was not over the little money stolen, yet it was over the pattern of being ethic and right. ?All I know is, John, that if ever the time comes when the House of Commons has so much on its brainiac that it can?t find time to discuss a Ronnie Winslow a nd his bally postal order, this country will be a far! poorer place than it is now.? ? Page 95It also tells us that in need for the society to be efficient and understanding, it must not abuse the power that is given. This is how power is conveyed in ?The Winslow Boy?. Rattigan also explores gender in his wanton away. He communicates the issues of gender through Catherine. Catherine is a lady who is truly focused on women?s suffrage. She is very professional and a smart aspiring puppyish lady, who is very opinionated. The twist to Catherine?s personality, however, is that she is a very beautiful young lady with a strong sense of femininity. Rattigan also focuses on strong character development, especially with Catherine, as a proficiency in his work and this is used to help break the stereotype associated with gender. ?It seems decidedly wrong to me that a lady of your political survey should be allowed to adorn herself with such a very feminine allurement. It real looks so awfully like trying to have the best of both worlds.? ? Page 89This contrast of her character allows Rattigan to play with our understanding of women?s roles and the stereotypical constrictions to be either intelligent, or beautiful. Through this information, it is clear to see that both George Orwell and Terence Rattigan have explore the issues of power and gender in their texts, and communicated there opinions on the base count through them. Bibliography :Orwell, George. 1984. London: Penguin Books, 1987 If you want to get a full essay, order it on our website: OrderCustomPaper.com

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